................. refers to the structure of a work of art.

Conflict in a literary work begins to unfold with

The character assumed by the author in his writing is

Oral literature is part of

Poetry is written in

Soliloquy is a ............ technique.

The ............ Produces comic relief in drama.

A short play is also called a

Read the stanza and answer questions 9 to 11.

For days I wept and felt depressed

The one and all I loved had left

But then on me our Bill impressed

'Your love is where she looks bereft'

The rhyme scheme is

Read the stanza and answer questions 9 to 11.

For days I wept and felt depressed

The one and all I loved had left

But then on me our Bill impressed

'Your love is where she looks bereft'

The lines are iambic

Read the stanza and answer questions 9 to 11.

For days I wept and felt depressed

The one and all I loved had left

But then on me our Bill impressed

'Your love is where she looks bereft'

The lines constitute

“The sun smiled gently on the scene” illustrates

The major part of the Petrarchan sonnet is the

A poem that celebrates an object, person or event is

That it will rain is not unlikely illustrates the use of

An... is an indirect and usually unfavourable remark.

‘Many hands make light work’ illustrate

Through....the ills of society are criticized with the objective of having them corrected.

Read the following lines to answer questions 19 and 20. The livid waters roared and snarled and flapped At the poor battered and weeping yacht. The dominant literary device used in the lines is

The picture presented is one of

Read the passage and answer questions 21 - 25.

He was under the siege of three union executive members. There was the Secretary standing over him; there was the Treasurer puffing away at a cigarette; there was the Organizer Lounging near the door, a deadpan look plastered on each of their faces like a death mask. Incredulous, he sat in a pensive mood. How could the others do such a thing? His discontent turned to silent anger that simmered. “I think it is not right,” he said, just managing not to explode from his growing anger. “you sign that sheet, Mr. President,” ordered the secretary in a barely audible but stern voice. “Why are you doing this?” he asked, his voice not giving any int of the boiling cauldron of screaming anger in his chest. “will you sign, Mr. President?” “All right,” he said, now seething amiably. He took his pen, picked up the sheet of paper and looked over the signatures. Then he proceeded to tear up the paper – into shreds.

The attitude of the writer towards the president is one of

Read the passage and answer questions 21 - 25.

He was under the siege of three union executive members. There was the Secretary standing over him; there was the Treasurer puffing away at a cigarette; there was the Organizer Lounging near the door, a deadpan look plastered on each of their faces like a death mask. Incredulous, he sat in a pensive mood. How could the others do such a thing? His discontent turned to silent anger that simmered. “I think it is not right,” he said, just managing not to explode from his growing anger. “you sign that sheet, Mr. President,” ordered the secretary in a barely audible but stern voice. “Why are you doing this?” he asked, his voice not giving any int of the boiling cauldron of screaming anger in his chest. “will you sign, Mr. President?” “All right,” he said, now seething amiably. He took his pen, picked up the sheet of paper and looked over the signatures. Then he proceeded to tear up the paper – into shreds.

The prevailing atmosphere is

Read the passage and answer questions 21 - 25.

He was under the siege of three union executive members. There was the Secretary standing over him; there was the Treasurer puffing away at a cigarette; there was the Organizer Lounging near the door, a deadpan look plastered on each of their faces like a death mask. Incredulous, he sat in a pensive mood. How could the others do such a thing? His discontent turned to silent anger that simmered. “I think it is not right,” he said, just managing not to explode from his growing anger. “you sign that sheet, Mr. President,” ordered the secretary in a barely audible but stern voice. “Why are you doing this?” he asked, his voice not giving any int of the boiling cauldron of screaming anger in his chest. “will you sign, Mr. President?” “All right,” he said, now seething amiably. He took his pen, picked up the sheet of paper and looked over the signatures. Then he proceeded to tear up the paper – into shreds.

The expression “plastered on each of their faces like a death mask” illustrates

Read the passage and answer questions 21 - 25.

He was under the siege of three union executive members. There was the Secretary standing over him; there was the Treasurer puffing away at a cigarette; there was the Organizer Lounging near the door, a deadpan look plastered on each of their faces like a death mask. Incredulous, he sat in a pensive mood. How could the others do such a thing? His discontent turned to silent anger that simmered. “I think it is not right,” he said, just managing not to explode from his growing anger. “you sign that sheet, Mr. President,” ordered the secretary in a barely audible but stern voice. “Why are you doing this?” he asked, his voice not giving any int of the boiling cauldron of screaming anger in his chest. “will you sign, Mr. President?” “All right,” he said, now seething amiably. He took his pen, picked up the sheet of paper and looked over the signatures. Then he proceeded to tear up the paper – into shreds.

“...... screaming anger” is an example of

Read the passage and answer questions 21 - 25.

He was under the siege of three union executive members. There was the Secretary standing over him; there was the Treasurer puffing away at a cigarette; there was the Organizer Lounging near the door, a deadpan look plastered on each of their faces like a death mask. Incredulous, he sat in a pensive mood. How could the others do such a thing? His discontent turned to silent anger that simmered. “I think it is not right,” he said, just managing not to explode from his growing anger. “you sign that sheet, Mr. President,” ordered the secretary in a barely audible but stern voice. “Why are you doing this?” he asked, his voice not giving any int of the boiling cauldron of screaming anger in his chest. “will you sign, Mr. President?” “All right,” he said, now seething amiably. He took his pen, picked up the sheet of paper and looked over the signatures. Then he proceeded to tear up the paper – into shreds.

The last paragraph illustrates

Read the poem and answer questions 26 to 30.

We have come to the crossroads

And I must either leave or come with you

I lingered over the choice

But in the darkness of my doubts

You lifter the lamp of love

And I saw in you face

The road that I should take.

The theme of the poem is

Read the poem and answer questions 26 to 30.

We have come to the crossroads

And I must either leave or come with you

I lingered over the choice

But in the darkness of my doubts

You lifter the lamp of love

And I saw in you face

The road that I should take.

The speaker is

Read the poem and answer questions 26 to 30.

We have come to the crossroads

And I must either leave or come with you

I lingered over the choice

But in the darkness of my doubts

You lifter the lamp of love

And I saw in you face

The road that I should take.

The dominant literary device used in the poem is

Read the poem and answer questions 26 to 30.

We have come to the crossroads

And I must either leave or come with you

I lingered over the choice

But in the darkness of my doubts

You lifter the lamp of love

And I saw in you face

The road that I should take.

The mood of the poem is

Read the poem and answer questions 26 to 30.

We have come to the crossroads

And I must either leave or come with you

I lingered over the choice

But in the darkness of my doubts

You lifter the lamp of love

And I saw in you face

The road that I should take.

The poem can be described as

WILLIAM SHAKESPEARE:Othello

Read the extract and answer questions 31 to 35.

So opposite to marriage that she shunned

The wealthy, curled darlings of our nation,

Would ever have, t'incur a general mock,

Run from her guardage to the sooty bosom

Of such a thing as thou to fear, not to delight? (Act I, Scene Two, lines 66 -70) .

The speaker is

WILLIAM SHAKESPEARE:Othello

Read the extract and answer questions 31 to 35.

So opposite to marriage that she shunned

The wealthy, curled darlings of our nation,

Would ever have, t'incur a general mock,

Run from her guardage to the sooty bosom

Of such a thing as thou to fear, not to delight? (Act I, Scene Two, lines 66 -70) .

The speaker is addressing.

WILLIAM SHAKESPEARE:Othello

Read the extract and answer questions 31 to 35.

So opposite to marriage that she shunned

The wealthy, curled darlings of our nation,

Would ever have, t'incur a general mock,

Run from her guardage to the sooty bosom

Of such a thing as thou to fear, not to delight? (Act I, Scene Two, lines 66 -70) .

“Sooty bosom” is a metaphor for

WILLIAM SHAKESPEARE:Othello

Read the extract and answer questions 31 to 35.

So opposite to marriage that she shunned

The wealthy, curled darlings of our nation,

Would ever have, t'incur a general mock,

Run from her guardage to the sooty bosom

Of such a thing as thou to fear, not to delight? (Act I, Scene Two, lines 66 -70) .

“Run from her guard age” refers to

WILLIAM SHAKESPEARE:Othello

Read the extract and answer questions 31 to 35.

So opposite to marriage that she shunned

The wealthy, curled darlings of our nation,

Would ever have, t'incur a general mock,

Run from her guardage to the sooty bosom

Of such a thing as thou to fear, not to delight? (Act I, Scene Two, lines 66 -70) .

The setting is

Read the extract and answer questions 36 to 40.

For when my outward action doth demonstrate

The native act and figure of my heart

In complement extern, ‘this not long after

But I will wear my heart upon my sleeve

For dews to peck at (Act I, Scene One, lines 58 - 62).

The speaker is

Read the extract and answer questions 36 to 40.

For when my outward action doth demonstrate

The native act and figure of my heart

In complement extern, ‘this not long after

But I will wear my heart upon my sleeve

For dews to peck at (Act I, Scene One, lines 58 - 62).

The addressee is

Read the extract and answer questions 36 to 40.

For when my outward action doth demonstrate

The native act and figure of my heart

In complement extern, ‘this not long after

But I will wear my heart upon my sleeve

For dews to peck at (Act I, Scene One, lines 58 - 62).

What has happened to the speaker?

Read the extract and answer questions 36 to 40.

For when my outward action doth demonstrate

The native act and figure of my heart

In complement extern, ‘this not long after

But I will wear my heart upon my sleeve

For dews to peck at (Act I, Scene One, lines 58 - 62).

The underlined expression shows that the speaker is

Read the extract and answer questions 36 to 40.

For when my outward action doth demonstrate

The native act and figure of my heart

In complement extern, ‘this not long after

But I will wear my heart upon my sleeve

For dews to peck at (Act I, Scene One, lines 58 - 62).

The setting is

Read the extract and answer questions 41 to 45.

Work on,

My medicine works! Thus credulous fools are caught,

And many worthy and chaste dames even thus,

All guiltless, meet reproach. What ho! My lord!

My lord, I say! (Act IV, Scene One, lines 45 -49) .

The speaker is

Read the extract and answer questions 41 to 45.

Work on,

My medicine works! Thus credulous fools are caught,

And many worthy and chaste dames even thus,

All guiltless, meet reproach. What ho! My lord!

My lord, I say! (Act IV, Scene One, lines 45 -49) .

The speaker is addressing

Read the extract and answer questions 41 to 45.

Work on,

My medicine works! Thus credulous fools are caught,

And many worthy and chaste dames even thus,

All guiltless, meet reproach. What ho! My lord!

My lord, I say! (Act IV, Scene One, lines 45 -49) .

Just before this speech,

Read the extract and answer questions 41 to 45.

Work on,

My medicine works! Thus credulous fools are caught,

And many worthy and chaste dames even thus,

All guiltless, meet reproach. What ho! My lord!

My lord, I say! (Act IV, Scene One, lines 45 -49) .

“medicine” in the extract refers to the speaker's

Read the extract and answer questions 41 to 45.

Work on,

My medicine works! Thus credulous fools are caught,

And many worthy and chaste dames even thus,

All guiltless, meet reproach. What ho! My lord!

My lord, I say! (Act IV, Scene One, lines 45 -49) .

The character that enters immediately after is

Read the extract and answer questions 46 to 50.

I am glad I have found this napkin:

This was her first remembrance from the Moor.

My wayward husband hath a hundred times

Wooed me to steal it: but she so loves the token

(For he conjured her she should ever keep it)

That she reserves it ever more about her

To kiss and talk to. (Act III, Scene Three, lines 289 295)

The speaker is

Read the extract and answer questions 46 to 50.

I am glad I have found this napkin:

This was her first remembrance from the Moor.

My wayward husband hath a hundred times

Wooed me to steal it: but she so loves the token

(For he conjured her she should ever keep it)

That she reserves it ever more about her

To kiss and talk to. (Act III, Scene Three, lines 289 295)

The characters that just left the scene are

Read the extract and answer questions 46 to 50.

I am glad I have found this napkin:

This was her first remembrance from the Moor.

My wayward husband hath a hundred times

Wooed me to steal it: but she so loves the token

(For he conjured her she should ever keep it)

That she reserves it ever more about her

To kiss and talk to. (Act III, Scene Three, lines 289 295)

She in the extract refers to

Read the extract and answer questions 46 to 50.

I am glad I have found this napkin:

This was her first remembrance from the Moor.

My wayward husband hath a hundred times

Wooed me to steal it: but she so loves the token

(For he conjured her she should ever keep it)

That she reserves it ever more about her

To kiss and talk to. (Act III, Scene Three, lines 289 295)

“My wayward husband” refers to

Read the extract and answer questions 46 to 50.

I am glad I have found this napkin:

This was her first remembrance from the Moor.

My wayward husband hath a hundred times

Wooed me to steal it: but she so loves the token

(For he conjured her she should ever keep it)

That she reserves it ever more about her

To kiss and talk to. (Act III, Scene Three, lines 289 295)

In the extract “this napkin” is “the token” of love between