A poem that is shaped in the image of the object it talks about is

The choir is on wheels to a conversation illustrate

Which of the following helps best to create and sustain interest in a literary work?

The dominant device used in Macbeth doth murdered sleep; the innocent sleep is

A narrative that extols the deeds of a heroic figure is a

She is a woman of great virtue. She is a woman of great vice illustrate

The overwhelming confidence and pride that lead to the fall of the protagonist is

Those you have loved and respected mock you to your face illustrates

The major divisions in a play are

Read the lines below and answer questions 10 and 11.

My heart aches, and a drowsy numbness pain

My sense, as though of hemlock I have drunk

The metrical pattern is

Read the lines below and answer questions 10 and 11.

My heart aches, and a drowsy numbness pain

My sense, as though of hemlock I have drunk

The mood of the poet is that of

A narrative composed in the form of a letter is

The device used in she gave him lots of cash and tender attention is

The Shakespearean sonnet differs from the Petrarchan sonnet by ending with a

Read the lines below and answer question 15.

The closing of the day

Is the beginning of the day

The lines

One of the important means available to a writer of a literary work is

Read the line below and answer question 17 and 18.

The curl of my lips, the swing of my waist, the

The ride of my breast, the stride of my steps, the

Flash of my tech and the palm of my hand

The line is an example of

Read the line below and answer question 17 and 18.

The curl of my lips, the swing of my waist, the

The ride of my breast, the stride of my steps, the

Flash of my tech and the palm of my hand

The image created in the line appeals to the sense of

Characters in a play that the author uses as a vehicle for commentary is

The _______ comes after the loose ends of the plot have been tied up

Read the passage and answer question 21 to 25.

The message was unambiguous: her John was on his way back. For how long had he been gone? Jenny wondered. She wrung her hands in silent expectation. She stood, turned about, and sat, motionless. She was listening in the silence of the room and looking into the gloom of the unlit room. She seemed to pull herself together as she rose to her full height, switched on the light and turned on the TV, to no station in particular, selecting no progamme at all. She sat in front of the TV, not watching. Her heart was pounding, slowly, she hoisted herself from the arm chair and moved towards the kitchen, like one sleepwalking. She must get some food ready for the sojourner. Her rapid heartbeat did not show in her slow moton actions. Her cooking done jenny was carrying the dish on a tray to the dining table when the doorbell rang. Jenny dropped the tray

The passage is about

Read the passage and answer question 21 to 25.

The message was unambiguous: her John was on his way back. For how long had he been gone? Jenny wondered. She wrung her hands in silent expectation. She stood, turned about, and sat, motionless. She was listening in the silence of the room and looking into the gloom of the unlit room. She seemed to pull herself together as she rose to her full height, switched on the light and turned on the TV, to no station in particular, selecting no progamme at all. She sat in front of the TV, not watching. Her heart was pounding, slowly, she hoisted herself from the arm chair and moved towards the kitchen, like one sleepwalking. She must get some food ready for the sojourner. Her rapid heartbeat did not show in her slow moton actions. Her cooking done jenny was carrying the dish on a tray to the dining table when the doorbell rang. Jenny dropped the tray

The figure of speech used in she was listening to the silence of the room is

Read the passage and answer question 21 to 25.

The message was unambiguous: her John was on his way back. For how long had he been gone? Jenny wondered. She wrung her hands in silent expectation. She stood, turned about, and sat, motionless. She was listening in the silence of the room and looking into the gloom of the unlit room. She seemed to pull herself together as she rose to her full height, switched on the light and turned on the TV, to no station in particular, selecting no progamme at all. She sat in front of the TV, not watching. Her heart was pounding, slowly, she hoisted herself from the arm chair and moved towards the kitchen, like one sleepwalking. She must get some food ready for the sojourner. Her rapid heartbeat did not show in her slow moton actions. Her cooking done jenny was carrying the dish on a tray to the dining table when the doorbell rang. Jenny dropped the tray

The technique of narration is

Read the passage and answer question 21 to 25.

The message was unambiguous: her John was on his way back. For how long had he been gone? Jenny wondered. She wrung her hands in silent expectation. She stood, turned about, and sat, motionless. She was listening in the silence of the room and looking into the gloom of the unlit room. She seemed to pull herself together as she rose to her full height, switched on the light and turned on the TV, to no station in particular, selecting no progamme at all. She sat in front of the TV, not watching. Her heart was pounding, slowly, she hoisted herself from the arm chair and moved towards the kitchen, like one sleepwalking. She must get some food ready for the sojourner. Her rapid heartbeat did not show in her slow moton actions. Her cooking done jenny was carrying the dish on a tray to the dining table when the doorbell rang. Jenny dropped the tray

In _____ and moved towards the kitchen, like one sleepwalking, the simile portrays one who is

Read the passage and answer question 21 to 25.

The message was unambiguous: her John was on his way back. For how long had he been gone? Jenny wondered. She wrung her hands in silent expectation. She stood, turned about, and sat, motionless. She was listening in the silence of the room and looking into the gloom of the unlit room. She seemed to pull herself together as she rose to her full height, switched on the light and turned on the TV, to no station in particular, selecting no progamme at all. She sat in front of the TV, not watching. Her heart was pounding, slowly, she hoisted herself from the arm chair and moved towards the kitchen, like one sleepwalking. She must get some food ready for the sojourner. Her rapid heartbeat did not show in her slow moton actions. Her cooking done jenny was carrying the dish on a tray to the dining table when the doorbell rang. Jenny dropped the tray

The mood is one of

Read the poem and answer question 26 to 30.

My heart was in fearful flight

Pursued by cupid, arrow poised

Waiting for my flight's end

When I'd turn about

5.  Or I'd fall supine

My fleeing heart to pierce

Enslave or enthrall and ravish hopeless

So, I'm pining and pining away

For you high up there have perched

10. Out of reach of my now yearning Which was why my heart'd been fleeing

From cupid's poised arrow

The poem is about _______ love

Read the poem and answer question 26 to 30.

My heart was in fearful flight

Pursued by cupid, arrow poised

Waiting for my flight's end

When I'd turn about

5.  Or I'd fall supine

My fleeing heart to pierce

Enslave or enthrall and ravish hopeless

So, I'm pining and pining away

For you high up there have perched

10. Out of reach of my now yearning Which was why my heart'd been fleeing

From cupid's poised arrow

The lines that provide the evidence for question 26 are

Read the poem and answer question 26 to 30.

My heart was in fearful flight

Pursued by cupid, arrow poised

Waiting for my flight's end

When I'd turn about

5.  Or I'd fall supine

My fleeing heart to pierce

Enslave or enthrall and ravish hopeless

So, I'm pining and pining away

For you high up there have perched

10. Out of reach of my now yearning Which was why my heart'd been fleeing

From cupid's poised arrow

The poem is a

Read the poem and answer question 26 to 30.

My heart was in fearful flight

Pursued by cupid, arrow poised

Waiting for my flight's end

When I'd turn about

5.  Or I'd fall supine

My fleeing heart to pierce

Enslave or enthrall and ravish hopeless

So, I'm pining and pining away

For you high up there have perched

10. Out of reach of my now yearning Which was why my heart'd been fleeing

From cupid's poised arrow

The dominant image is one of

Read the poem and answer question 26 to 30.

My heart was in fearful flight

Pursued by cupid, arrow poised

Waiting for my flight's end

When I'd turn about

5.  Or I'd fall supine

My fleeing heart to pierce

Enslave or enthrall and ravish hopeless

So, I'm pining and pining away

For you high up there have perched

10. Out of reach of my now yearning Which was why my heart'd been fleeing

From cupid's poised arrow

In the poem, cupid is

Read the extract below and answer question 31 to 35.

Where I have come, great clerks have purpose

To greet me with premeditated welcomes;

Where I have seen them shiver and look pale,

Make periods in the midst of sentences,

Throttle their practiced accent I their fears,

And in conclusion, dumbly have broken off,

Not paying me a welcome...

The speaker is

Read the extract below and answer question 31 to 35.

Where I have come, great clerks have purpose

To greet me with premeditated welcomes;

Where I have seen them shiver and look pale,

Make periods in the midst of sentences,

Throttle their practiced accent I their fears,

And in conclusion, dumbly have broken off,

Not paying me a welcome...

The speaker is addressing

Read the extract below and answer question 31 to 35.

Where I have come, great clerks have purpose

To greet me with premeditated welcomes;

Where I have seen them shiver and look pale,

Make periods in the midst of sentences,

Throttle their practiced accent I their fears,

And in conclusion, dumbly have broken off,

Not paying me a welcome...

The speech is in reaction to

Read the extract below and answer question 31 to 35.

Where I have come, great clerks have purpose

To greet me with premeditated welcomes;

Where I have seen them shiver and look pale,

Make periods in the midst of sentences,

Throttle their practiced accent I their fears,

And in conclusion, dumbly have broken off,

Not paying me a welcome...

The speaker's experience is that

Read the extract below and answer question 31 to 35.

Where I have come, great clerks have purpose

To greet me with premeditated welcomes;

Where I have seen them shiver and look pale,

Make periods in the midst of sentences,

Throttle their practiced accent I their fears,

And in conclusion, dumbly have broken off,

Not paying me a welcome...

At the end of the speech,

Read the extract below and answer questions 36 to 40.

So should the murdered look; and so should I,

Pierced through the heart with your stern cruelty:

Yet you, the murdered, look as bright as clear

As vendor Venus in her glimmering sphere

The speaker and the addressee are

Read the extract below and answer questions 36 to 40.

So should the murdered look; and so should I,

Pierced through the heart with your stern cruelty:

Yet you, the murdered, look as bright as clear

As vendor Venus in her glimmering sphere

Earlier the addressee has accused the speaker of

Read the extract below and answer questions 36 to 40.

So should the murdered look; and so should I,

Pierced through the heart with your stern cruelty:

Yet you, the murdered, look as bright as clear

As vendor Venus in her glimmering sphere

In turn, the speaker accuses the addressee of

Read the extract below and answer questions 36 to 40.

So should the murdered look; and so should I,

Pierced through the heart with your stern cruelty:

Yet you, the murdered, look as bright as clear

As vendor Venus in her glimmering sphere

The underlined lines portray the addressee as

Read the extract below and answer questions 36 to 40.

So should the murdered look; and so should I,

Pierced through the heart with your stern cruelty:

Yet you, the murdered, look as bright as clear

As vendor Venus in her glimmering sphere

The setting of the extract is

Read the extract below and answer question 41 to 45.

The wildest hath not such a heart as you.

Run when you will, the story shall be change;

Apollo flies, and Daphne holds the chase;

The dove pursues the griffin, the mild hind

Makes speed to catch the tiger, bootless speed,

When cowardice pursues, and valour flies.

The speaker is

Read the extract below and answer question 41 to 45.

The wildest hath not such a heart as you.

Run when you will, the story shall be change;

Apollo flies, and Daphne holds the chase;

The dove pursues the griffin, the mild hind

Makes speed to catch the tiger, bootless speed,

When cowardice pursues, and valour flies.

The addressee is

Read the extract below and answer question 41 to 45.

The wildest hath not such a heart as you.

Run when you will, the story shall be change;

Apollo flies, and Daphne holds the chase;

The dove pursues the griffin, the mild hind

Makes speed to catch the tiger, bootless speed,

When cowardice pursues, and valour flies.

The wildest refers to

Read the extract below and answer question 41 to 45.

The wildest hath not such a heart as you.

Run when you will, the story shall be change;

Apollo flies, and Daphne holds the chase;

The dove pursues the griffin, the mild hind

Makes speed to catch the tiger, bootless speed,

When cowardice pursues, and valour flies.

The speech is intended to provoke the addressee.

Read the extract below and answer question 41 to 45.

The wildest hath not such a heart as you.

Run when you will, the story shall be change;

Apollo flies, and Daphne holds the chase;

The dove pursues the griffin, the mild hind

Makes speed to catch the tiger, bootless speed,

When cowardice pursues, and valour flies.

Another character present at the scene is

Read the extract and answer questions 46 to 50.

And in the wood, when often you and I Upon faint primrose-beds were wont to lie,

Emptying our bosoms of their counsel sweet.

There, my Lysander and myself shall meet,

And thence from Athens turn away our eyes

To seek new friends and stranger companies.

Farewell, sweet playfellow; ...

...you and I in the first line refers to

Read the extract and answer questions 46 to 50.

And in the wood, when often you and I Upon faint primrose-beds were wont to lie,

Emptying our bosoms of their counsel sweet.

There, my Lysander and myself shall meet,

And thence from Athens turn away our eyes

To seek new friends and stranger companies.

Farewell, sweet playfellow; ...

The couple are going to the wood because

Read the extract and answer questions 46 to 50.

And in the wood, when often you and I Upon faint primrose-beds were wont to lie,

Emptying our bosoms of their counsel sweet.

There, my Lysander and myself shall meet,

And thence from Athens turn away our eyes

To seek new friends and stranger companies.

Farewell, sweet playfellow; ...

The underlined means being

Read the extract and answer questions 46 to 50.

And in the wood, when often you and I Upon faint primrose-beds were wont to lie,

Emptying our bosoms of their counsel sweet.

There, my Lysander and myself shall meet,

And thence from Athens turn away our eyes

To seek new friends and stranger companies.

Farewell, sweet playfellow; ...

Farewell, sweet playfellow refers to

Read the extract and answer questions 46 to 50.

And in the wood, when often you and I Upon faint primrose-beds were wont to lie,

Emptying our bosoms of their counsel sweet.

There, my Lysander and myself shall meet,

And thence from Athens turn away our eyes

To seek new friends and stranger companies.

Farewell, sweet playfellow; ...

Soon after, playfellow decides to